2/13/2024 0 Comments Five of a kind bluegrass![]() As a studio musician, he's recorded with Barbra Streisand, Frank Sinatra, Elvis Costello, Frank Zappa, Earth Wind & Fire, Bob Seger and many others. From his early years as a Dixieland bassist in New York, Buell went on to work for several years with avant-garde pianist Cecil Taylor. It's a safe bet that everyone in America has at one time or another heard bassist Buell Neidlinger, whether they know it or not. It adds up to three masters having a great time with one of the oldest jazz songs in the book. ![]() The immensely talented Brozman has never been pigeonholed into any particular musical genre, so suffice it to say that he's one of the greatest living resophonic guitarists. ![]() The resonator guitar used in bluegrass is called the Dobro, and Auldridge has been an acknowledged master of that instrument since his early days with the progressive bluegrass band The Seldom Scene. Though he's perhaps best known for his "Dawg Music" fusion, we find him here doing a jazz classic with two great resophonic slide guitarists, Bob Brozman and Mike Auldridge. From his early traditional mandolin work with the Even Dozen Jug Band, Grisman went on to explore psychedelic rock, jazz, Latin music and any other musical form that came his way. Mandolinist David Grisman has always worked to expand the possibilities of his instrument. from Tone Poems 3: The Sounds of the Great Slide & Resophonic Instruments.We'll hear from David Grisman and Bela Fleck, the two musicians who receive the most credit for expanding the possibilities of traditional bluegrass instruments (mandolin and banjo, respectively), as well as other great players whose vision and talent defy (or perhaps even dismiss) genre.ĭavid Grisman With Bob Brozman & Mike Auldridge We'll hear bluegrass players interpret jazz songs, and hear jazz players apply their chops to bluegrass forms. In this edition of Take Five, we're going to explore five songs that meld jazz with bluegrass. Both jazz and bluegrass place a high premium on instrumental virtuosity, both feature sophisticated interplay between instruments and both rely heavily on improvisation, often at lightning speed. But jazz and bluegrass are more alike than they appear. Bluegrass is predominantly rural and, like blues, often works within fairly predictable structural boundaries. Jazz is predominantly urban and often deals with relatively complex structures, chords and key changes. On the surface, there might seem to be a world of difference between jazz and bluegrass music.
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